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Kamifurano ends Sister City Friendship with Camrose


Above photo: The City of Camrose and the Camrose Japan Friendship Society welcomed 18 guests from Kamifurano, Camrose’s sister city in Japan, in 2016. During a tour of Camrose City Hall, the guests had an opportunity to stop and pose for a photograph in City chambers with the mayor, a few members of council, City manager and representatives from Camrose.
 

By Adan Shaikh

The Town of Kamifurano in Japan has been Camrose’s sister city since September 1985, but after over 40 years of friendship, Kamifurano has made the decision to terminate Sister City Friendship Agreement with Camrose.

At the January 19 committee of the whole council meeting, administration asked mayor and council for direction on whether to respond to a letter received from Kamifurano officials.

Kamifurano Mayor Shigeru Saito sent a notice of termination to Camrose Mayor PJ Stasko in September 2025, stating the decision was made after careful consideration of the current state of the agreement and how neither municipality has been able to sustain the exchange activities and friendship.

Mayor and council directed administration to respond to Kamifurano with a formal letter. The termination does not diminish the mutual values, respect and cultural exchanges built over the last 40 years, and both municipalities expressed hope for continued prosperity for one another. Camrose remains sister cities with Kentville, N.S., Saguenay, Que., and Warwick, Australia.

Over the decades, the sister city relationship with Kamifurano involved extensive cultural exchange. The Camrose Japan Friendship Society supported the partnership and facilitated multiple visits and student exchanges, allowing residents of both communities to learn about each other’s cultures.

The City of Camrose also undertook several projects to symbolize the relationship, including a town clock outside of city hall and the naming of the gazebo and gardens at Mirror Lake in recognition of the friendship.

In July 2016, Camrose welcomed a delegation from Kamifurano that included 13 students from Kamifurano Junior High School along with educators and community representatives. The visit included a reception at City hall, tours of École Charlie Killam School, the University of Alberta Augustana Campus, the Jeanne and Peter Lougheed Performing Arts Centre and the Camrose Public Library.

The group also attended the unveiling of a museum display at the Camrose and District Centennial Museum featuring gifts received from Kamifurano and Toyama Chuo Nogyo High School in Japan. The visit concluded with a banquet showcasing local performers.

In October 2014, then Consul General of Japan in Calgary Ryosaku Tamura and his wife, Yoko, visited Camrose and toured community facilities, including Augustana and the performing arts centre. Tamura described the Camrose Kamifurano partnership as one of the strongest twinning relationships he had seen and praised the long-standing people to people exchanges.

Over the years, hundreds of students from Camrose had the opportunity to travel to Kamifurano, while more than 200 students from Kamifurano visited Camrose. Exchange activities included student travel, cultural demonstrations, music, dance and educational placements.

The sister city relationship officially ends after four decades and marks the closing of a chapter defined by long-standing community connections, shared experiences and cultural learning.
Another historic find at Bailey
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The top poster, found behind the walls of the Bailey Theatre, is missing most of the male actor who will remain forever unknown. It is thought that because of the great condition of the colours that this poster was never used as advertising for the movie it was intended to promote.

The bottom poster was also found behind the walls of the Bailey. Back in the 1920s, movie promotional posters were often handpainted by artists before being pieced together creating large scale images advertising upcoming movies.


By Nadine Leming

David Roth sits on the board of directors and is a fundraising champion to keep the show going at the historic Bailey Theatre. He was key in yet another great find of some movie posters from the 1920s.

The discovery came about in preparation for updating the seating in the balcony at the theatre. They have been undergoing some minor renovations in the balcony and pulled a panel off the back wall to get underneath to prepare for wiring the control room and they found some brown paper.

David said, “When I found a little piece and saw printing on it, I thought, ‘That’s weird, what’s that coming from?’”

As they continued to look, they realized that brown paper was on the back of the 1921 movie poster. Unfortunately, there is a piece of that poster missing of what appears to be an actor from the film.

Elliot Harder, theatre general manager, said, “This piece wasn’t there, which is too bad because it means that this gentleman has been erased from history a little bit.” All that remains of the man in the poster is a tiny portion of his fingers and leg from the knee down.

David added, “We can’t find this poster online, like a lot of other old movie posters, where people have found them – taken pictures of them and posted them.”

Heather Barach works at the theatre and catalogues the many artifacts at the theatre said, “This one (poster) and another one from the film Dangerous Money are among many posters that we have and can’t find anywhere else online.” The Bailey may possibly have the only remaining copies of some poster designs.

There is so much fascinating history behind the evolution of the Bailey Theatre as the oldest purpose-built theatre in Alberta built for vaudeville (a genre of variety entertainment popular between the 1880s to the 1930s), silent films and live shows.
David shared some of that history stating the back of the building used to be like the front with metal panels right up to the ceiling. In 1921, the balcony was added. During renovations they took some of the metal panels off, attaching the structure and building into it and making room for the first projector room.

David stated, “In that process of putting more panels back around the projector room, they probably took the movie posters which were probably on the other side facing the street.”

When they added the front of the building (as we know it now), these posters were on the front of the old theatre. In the 1920s, movie posters came in the mail or by train. During the renovations in 1921, it is assumed that because they weren’t going to be showing the film, these posters were used as building paper, before adding the metal panels.
It is possible that some of the posters found over the years were never used as advertising and just used as building paper, thus preserving the quality of the images that were often handpainted and assembled in sections using a stone lithography process.

Elliot said, “What we discovered is that there are a few panels, at least, that were never removed during the most recent renovation in 2011 that restored the building. The wall (where the posters were found) got completely ripped to the studs on the inside of the control booth to add a bunch of stuff, but on the theatre side there was no reason to open it up.”

Elliot added, “We know that there are more pieces of maybe these posters, maybe of other posters behind some of those panels, but the labour to take the panels off and the risk of damaging not just the posters, but the panelling itself, it would be too difficult to restore.”

The find of the posters was an amazing add to the history and archives of the building. It adds to the mystique of this iconic landmark unique to Camrose. It also adds to the mystery, meaning and nostalgia to a local theatre that is treasured by many local residents and history buffs alike.

If you ever get an opportunity to take a tour of the Bailey, take it. There is so much to learn, explore and appreciate about the building. You can also explore the rich history on the theatre’s website at www.baileytheatre.com
Travis Dolter – local rising star

By Nadine Leming

Travis Dolter is a rising country music star from Hay Lakes who may be best known for his high energy performances and a strong ability to connect with his audience.

This engaging performer has always had a passion for music and owns the stage with his magnetic personality, something that was fostered from a young age as he performed with his family.

As a songwriter, Travis has a creative way of storytelling with captivating and engaging melodies. He draws his inspiration to write from country, rock and pop influences.

He has an uncanny ability to read a room and perform to the audience accordingly, having earned him admiration from fans and industry people alike. If you’ve ever seen Travis perform live, his shows segue from country covers to ’50s rock with original music scattered throughout.

As a performer whose venues include theatres, bars, rodeos and festivals, Travis comes across as an authentic professional and true to himself. He is coming off a busy year with 150 shows in 2025 with shows continuing to be booked in 2026.

A dream of Travis’ is coming to fruition. He will be playing the main stage at BVJ this coming summer. He shared, “This is the ultimate dream since I was about six. I’m excited to share the stage with other talented artists.”

In addition to his appearance on the main stage, he will be performing in the songwriter’s tent and closing the weekend out in the beer gardens. Travis also performed last summer at BVJ.

He mentioned, “We performed at the beer gardens and were the only band to get an encore.”

He went on to explain how other artists weren’t as lucky, but this was the last show of the night, and he got the nod to return.

He commented, “We sang ‘The Last Saskatchewan Pirate’ and left the crowd on a high note.”
All of Travis’ hard work is starting to pay off. He has made second ballot consideration for the 15th Annual Country Music Alberta Awards in four categories.

He’s up for Songwriter of the Year for the song “Tailgate Therapy,” the Horizon Song of the Year for “Older Than We Were”, the Horizon Male Artist of the Year and Fans’ Choice.

Fans are encouraged to vote for him for the Fans’ Choice award until January 31. You can vote for him directly through his website. Travis said, “I’ve been nominated for Video of the Year last year and Fans’ Choice two years ago. I’m excited about this year.”

This year, the Country Music Alberta Awards, the biggest country music celebration in the province, will be hosted by Carolyn Dawn Johnson and Dan Davidson.

The award show will be held at the Edmonton Convention Centre on March 22. Tickets are available for the show in the Lammle’s Western Wear FanZone and can be found at www.showpass.com/cmab15fanzone

Travis mentioned, “I’m a fan of cheesy rom-coms. The cheesier, the better.” His love of rom-coms partially inspired his latest single, “Forever With You.”

It’s a song filled with rom-com references that is fun and upbeat. You can find his music on platforms like Spotify and YouTube. Don’t forget to stop by his website for a full list of his upcoming performances and to vote for him for the Fans’ Choice Award at www.travisdolter.com

Intuitive expression on canvas

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Michelle Matier is a new local artist. Her intuitively painted abstract pieces invite the viewers to look with an open mind and heart.

By Adan Shaikh


Michelle Matier is a new local artist who recently moved to Camrose, and is beginning to connect with the city’s artistic community. Having been in the area just a few months, she is exploring the local arts scene while continuing a practice that has been part of her life since childhood.

Michelle has been painting for as long as she can remember and studied art through secondary school. She later stepped away from it while raising her family, but eventually felt drawn back to painting. This return came about when she started hosting paint nights with her family, allowing creativity to become part of their family life.

“We would go to the store, get canvas and paints and then create together,” she shared.

Her work is guided entirely by intuition rather than planning or preliminary sketches. She uses acrylic paints to bring her visions to life.

“I feel that over time I am starting to understand my pieces more and what they are trying to say. I feel like they all have a message and they stand on their own,” explained Michelle. “My inspiration is from the higher power, I am the vessel it works through me. They’re all intuitive and I don’t plan them in advance. I just sit in front of a canvas and I just paint whatever comes to me. What’s interesting is that they are all unique, sometimes I will even pick up tools and techniques that I won’t see for a while,” she added.

She describes her paintings as layered with meaning, even when that meaning is difficult to put into words.

“There’s so much to say but not easily articulated,” said Michelle.

She also credits painting as an important part of her personal healing.

“It has been a part of my healing process and it was fun, I started out not knowing what would come out of it and with trust in the process,” she explained.

Visually, her abstract pieces are immersive, with every part of the canvas intentionally used.
She always paints all around the canvas never leaving any areas blank, often adding creative symbols and unique elements to speak through her work.

“With abstract paintings, everyone sees something different, everyone feels something different, so if you’re resonating with one of my paintings, I feel like it is speaking to you. It’s all about perspective,” she said.

Michelle prefers to let viewers form their own connection with her work rather than influencing their perception.

“I have never liked the idea of telling people too much about the painting because I want them to think and feel for themselves without my influence,” said Michelle.

For those just starting out, her advice is grounded in honesty and self-trust.

“Stop comparing your pieces to everybody else’s. It takes a lot of vulnerability to step out of that and actually expose yourself because it’s your heart, it’s your soul that is going on that page. So whatever you decide just paint for yourself,” she advised.

She hopes that with her work she can create a space for others where they can reflect and find personal meaning.

More of Michelle’s work can be viewed online at www.cosmicexpressions.ca

Habitat requests land from City


By Adan Shaikh

Habitat for Humanity Camrose Society was in attendance at the Committee of the Whole Council meeting on January 19. The organization put forward a request that the City consider allocating land, for the build of up to 20 homes.

“We have put together a proposal for you. One of the biggest hold-backs in what we do is the cost of land, because it is getting more and more expensive. When we first started building in Camrose, we depended on donations from the community, businesses in the area and we are fortunate to have grants from the government, that help us build the houses. With the new federal and provincial grants that are starting right away, we believe this request aligns strongly with the City’s housing goals.

“For the last 30 years, we have been operating and building in the Camrose community and we have built 50 homes and we have helped 56 families,” said Jennifer Edmonds, executive director of Habitat for Humanity Camrose.

The donation of land would help the organization fully leverage the Build Canada Homes funding and support the build of 20 new affordable homes for Camrose residents over the course of the next four to five years. Habitat for Humanity Camrose Society’s commitment in exchange is to prioritize local trades and suppliers, accessible housing options and contribute towards municipal tax and utility revenues.

Mayor and Council directed the administration to look into the potential of land donation and review it under the City’s Land Development Policy.

Celebrating music with a festival

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Molly Kambeitz performs in the 2025 Camrose Music Festival which will be returning April 13 to 17 this year.

By Nadine Leming


The Camrose and District Music Festival (CDMF) will be celebrating its 42nd festival this coming April. The festival dates back to 1982 and was devised to encourage amateurs to engage in a welcoming workshop type experience and support music, speech and dance arts.

All these years later, the value of cultivating musical arts and allowing participants an opportunity to showcase their creative skills while providing positive feedback from adjudicators is still as relevant and important today.

Charlene Brown, president of the CDMF, said, “If we’ve scheduled well, performers have some time to work with the adjudicator for a few minutes. Performers will hopefully be inspired to continue learning and continue their creative journey.”

The goal of the CDMF is to create a safe space for performers in a non-competitive atmosphere  to share their talent. For those looking for an opportunity to move forward with their craft, and are looking for scholarships, the music festival does have an opportunity to award medallions in a variety of individual categories.

There are also pathways for performers using the provincial syllabus that are looking to move towards the provincial music festival.

There is a lot of work that goes into planning a music festival from creating time slots for performers, to adjusting the schedule once registration is closed, to booking adjudicators and venues.

Charlene commented, “Both the Lougheed Performing Arts Centre (LPAC) and the Augustana Campus are great in providing space for the festival.”

There are five categories for performers to register for, choral and speech, voice and musical theatre, band and instrumental, piano, and string instruments. The adjudicators make recommendations from the performances that stood out or entertained. 

It’s at that concert that the medallions and scholarships are awarded. Performers recommended by adjudicators for provincials will also be provided at the concert.

The top prize of the festival is the Rose Bowl, which has been selected from in-depth recommendations from the adjudicators. From those recommendations there is a blind vote created from outside the committee and announced at the grand concert. Awards are not meant to be competitive goals, but are the recognition of excellence and encouragement for the continuation of studies in music and speech arts.

New to this year’s music festival is the 50/50, a fundraising effort to support the CDMF. The raffle is currently running until April 10 with the winner announced during festival week. To purchase your tickets, go to www.rafflebox.ca/raffle/camrosemusicfest

The fees for the festival are very reasonable. One barrier that was keeping schools from registering for the CDMF was the cost of bussing students to the venues. The CDMF committee received a two year grant from the Camrose Arts Council to run a pilot project to see if there was an opportunity for schools to apply for a grant to help cover the cost of bussing would allow them to attend.

It was very successful and now they have a sponsor so schools needing that help can now apply to assist with funding.

Registration for the CDMF is open until February 14. The dates for this year’s festival is April 13 to 17, with the grand concert at the LPAC on April 21 to showcase talent from the area.

All medallions and scholarships will be announced at the grand concert. The public is invited to purchase tickets throughout the event.

For more information, visit the CDMF website at www.camrosemusicfestival.ca
The Pacific Ocean with UPU

By Nadine Leming

An award-winning experience, UPU is stopping in Camrose as part of their national tour. The tour is supported by the Creative New Zealand Toi Aotearoa and the Canada Council for the Arts. This special performance is a co-presentation with the Chester Ronning Centre on March 13, at 7:30 p.m. at the Lougheed Performing Arts Centre.  The show is a pay-what-you-will event.

This show is poignant and stirring with powerful poetry, riveting narratives and enduring performances. The audience will hear the stories, struggles and the joys of island life across the expansive Pacific Ocean.

UPU means ‘word’ in many different languages of the Pacific islands; the performance  is a symphony of voices from scattered, sea-bound communities, united by the vast Pacific, known as Te Moana Nui a Kiwa. These poems ponder the history, struggles, and cultural identity faced by these communities. From Hawaiians debating Captain Cook’s legacy to the joys of SPAM in Guam and other American-ized islands to the struggle against rising seas around the Marshall Islands.

Written poetry captures one’s attention, but when it’s performed live on the stage, it’s absolutely spellbinding. The performance breathes life into the stage through a cast of spirited Pacific performers, each one with a versatile background in theatre, film and television. They will deliver a passionate expression of words that will carry you across the ocean.

Audiences will enjoy the celebration of the Pacific with the unforgettable adventure that is this intimate story of its people and their stories. This performance is recommended for ages 15+, children aged 15 and under must be accompanied by an adult at all times, and will contain strobe lighting, strong language and adult themes.

After the show, the audience is encouraged to stay for a 30 minute Q and A session with the artists and will be moderated by Dr. Joseph Wiebe, director of the Chester Ronning Centre for the Study of Religion and public life.

For more information on the show, go to www.camroselive.ca
 
A plan for lead pipes in Camrose

By Adan Shaikh

At the January 19 Committee of the Whole Council meeting, Jeremy Enarson, City of Camrose’s director of engineering services, shared a report on how City administration continues to work on its federally and provincially required Lead Management Plan to reduce the risk of lead in drinking water.

He shared that the testing shows water leaving the City’s treatment plant contains extremely low lead levels, well below national guidelines. Any risk typically occurs at the tap in older homes where lead service lines or plumbing materials may still be present, which is why updated federal guidelines now require testing at the customer’s tap.

As part of the plan, the City completed required residential sampling and maintains water chemistry that helps limit pipe corrosion. Properties with known or suspected lead service lines may be eligible for ongoing city-supported testing, while homeowners without identified lead service lines can arrange their own testing if they choose.

Currently, Enarson is working on finalizing the Lead Management Plan so it can be implemented in the near future. He emphasized that if lead is found near a home during routine City work, it is collected as information and that known properties where lead pipes have been reported or detected have received annual notifications for the past several years. When underground infrastructure projects take place, the City replaces the public portion of any identified lead service lines.

“I would like to see us provide some sort of filter or pitcher to homes that have lead,” recommended Councillor Joy-Anne Murphy.

To avoid exposure to lead, residents can also take simple steps at home. Let cold water run for several minutes before drinking or cooking, especially if water has been sitting in the pipes. Always use cold water for consumption, and consider a certified point-of-use filter or private testing for added reassurance.

For more information on your home or lead in Camrose, visit www.camrose.ca
Schneikart’s 1941 Chev pickup is a piece of family history
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Originally the truck was a green colour, which Schneikart changed. The bright red highlights the chrome.

By Adan Shaikh


Bob Schneikart’s 1941 Chevrolet Stepside is a classic that has been in his family for decades.

“It was my dad’s and it was just a rust bucket, so we took it all apart maybe about eight or nine years ago,” Schneikart said.

The truck has been in his family for about 50 years.
“We sanded all the old paint and rust off of it. I sandblasted it and primed it and painted it. The colour was kind of a green before.”

Schneikart said he was already driving the truck as a teenager.

“I drove this when I was about 14 years old,” he said.

The restoration was a full frame-off. Schneikart started with the body, then moved on to the frame. Every piece was removed and later reassembled. The truck is a rear-wheel drive and now runs a three-speed automatic transmission, replacing the original manual.

When the 1941 Chevrolet pickup first came out, it was seen as a solid, reliable work truck. It featured a wider cab than earlier models and a waterfall grille that became a recognizable part of its design. Built just before vehicle production slowed during the war years, the truck was popular with farmers and tradespeople who needed something dependable. Many were used hard and kept working for years, which is why original examples are less common today.

Several interior upgrades were added over the years, including new bucket seats, a new steering column and a new shifter. Under the hood sits a 350 Chevrolet engine.

“The engine was in good condition so I didn’t have to do anything to it. I just put in a different intake manifold and a different carburetor on it and that was about it,” Schneikart said.

The box was another major project. Originally tin, Schneikart rebuilt it entirely out of wood. He also built his own gas tank and relocated it under the box, instead of behind the seats where it was originally mounted. While the truck has been modified, Schneikart was careful to keep much of its original character. It still features stock elements, including the distinctive waterfall grille on the front end.

One of his favourite memories with the truck includes time spent with father.

“I drove it with the fence posts in the back and my dad was pounding the posts in the fence line. I was only maybe 14 years old at the time,” he recalled.

The truck is now fully rebuilt, but for Schneikart, it still represents the years he spent working and driving alongside his father.

CALC AGM


By Nadine Leming

The Camrose Adult Learning Centre (CALC) held its annual general meeting (AGM) on January 20 at the centre. After the approval of the agenda and minutes from the 2025 AGM, it was down to business.

Ron Serna is the digital skills coordinator for CALC. He spoke to the board about his progress working with many seniors over the past year with the Tech Talk program which helps participants to better understand how they can use the technology they have. He’s finding that many of them are now coming with a goal in mind on how to use their devices. This has led to the upcoming Canva course that helps participants learn how to use the app.

Linda Olson is the English Language Learning (ELL) instructor. She was in class during the AGM, so Ron Baier, executive director, gave a brief overview of the program and talked about how well she was doing with the program and about the upcoming International Cooking Class beginning on February 3. This class is an opportunity to share cultures, stories and food as participants enjoy conversation over international foods.

The CALC board received the financial statements for the previous year from Ron Baier, who talked about the financial stability of the organization today versus where it was when he took over six years ago. He stated that there was an increase of 358.8 per cent in people accessing learning opportunities over the last four years and about how they’ve managed to do a lot of work with the money they have to work with. The financials presented had been reviewed by Align Accounting and Tax.

Ron Baier felt comfortable with the work of the accounting firm reviewing the financials. Dena Bibo, board chair, asked for a motion that the board secure the services of Align Accounting and Tax for the 2025/2026 fiscal year. The motion was made by board member Alan Erga and was carried.

During the Executive Director’s report, Ron Baier talked about the year in review and how over the last four years, the number of adult learners grew from 68 to 312. He said, “While we always need more volunteers to enable us to offer one-on-one tutoring, our numbers have increased from zero to seven people that provided 272 hours of instruction to 24 learners. I think we need to celebrate these numbers as a significant and impressive achievement.”

Over the past year, CALC has reduced staffing to become more effective and efficient while expanding programming to meet the changing needs of the community. A year end celebration that received positive feedback was held at Jubilee Park that recognized learners, volunteers and community partners.

The Canadian Adult Education Credential (CAEC) prep course is the key element for many adult learners to find meaningful employment. The centre also has a numeracy course that helps the 80+ per cent of adult learners with weak basic math skills and helps prepare them for the CAEC exam.

CALC provides weekly English language learning opportunities for newcomers at all English levels, and exam prep to our classes twice a week for 12 weeks. Instruction covers all language learning skills: reading, writing, listening, and speaking, while incorporating student directed learning and using real life examples and resources to provide a wide scope of practice required for mastery of concepts.
Basic digital skill programs and classes are delivered in house as well as at various locations. CALC has established and maintained a number of partnerships in Camrose. This availability and flexibility in locations allows them to partner with various organizations. The “out-of-office” locations are crucial for maintaining access, visibility and community engagement; they start the conversation about what learning opportunities look like and what is available.

The new executive committee for the upcoming fiscal year includes: Dena Bibo, chair; Robert Lyslo, vice chair; and Jo-Ellen Lyslo, secretary. On the governance committee is Robert Lyslo, while Rebecca Purc-Stephenson will sit on the Finance and Audit committees. Ron Baier, as executive director, sits on all committees with the exception of the audit committee.

The Mission, Vision, and Belief statements were reviewed and include:
  • Mission: Empowering adult learners by providing quality programs and instruction.
  • Vision: Discover, learn, create and achieve.
  • Beliefs: All instruction begins with the adult learner’s goals. They provide a safe and caring learning environment. Removing barriers creates the pathway to success. Through hope we can reach all people. That in challenges lie opportunities. Supporting our community is fundamental to our existence.
     
The CALC completed the meeting with a review of the revised copy of their  by-laws and announced the next AGM date will be January 19, 2027.
Next at Lougheed Centre

By Nadine Leming

The Jeanne and Peter Lougheed Performing Arts Centre has a great lineup planned.

Canadian Rock and Roll Hall of Fame members Glass Tiger will be here for The Acoustic Sessions on March 27, at 7:30 p.m. With songs like “Don’t Forget Me (When I’m Gone)” and “Someday,” this iconic band has been performing for over 40 years. Be prepared to sing along and dance all evening long.

As one of Canada’s most beloved comedians, Shaun Majumder will make you laugh. The comedian/actor has seen success in both Canada and the US and is now ready to bring his act to Camrose on April 17, at 7:30 p.m.

Rumours: The Ultimate Fleetwood Mac Tribute Show rolls into town on May 28, at 7:30 p.m. This group recreates the celebrated band in their heyday. They have found huge success selling out performances at the Roxy Theatre, as well as many theatres and clubs across America. This show is an opportunity to relive a special era in popular music with a magical tribute to an iconic band.

The Edmonton Pops Orchestra will be sharing music from Ticket to Hollywood that features music from the golden age of Hollywood to today’s blockbusters. Prepare for all new music featuring soaring melodies and nostalgic favourites on May 29, at 7:30 p.m.

Hotel California, The Eagles Original Tribute Band, will be here on June 18, at 7:30 p.m.

In addition, shows may be added at later dates.
BRCF support Camrose Women’s Shelter
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Ben Paulson, director with the Battle River Community Foundation board, presented the cheque to Nora-Lee Rear, executive director.

Submitted by Laura Young


The Battle River Community Foundation awarded a $5,500 grant to the Camrose Women’s Shelter Society (CWSS).

According to Nora-Lee Rear, executive director of CWSS, “The 2025 grant from BRCF for our Children’s Program gave us the ability for 375 clients to have many experiences during the past year.”

Rear related the example that for one family, “… who had never had the opportunity to camp before, it was an adventurous time. One of the young men from this family was having     difficulty following directions in the games that were being played, but the Family Support Coordinator from the shelter role modeled for the group step by step how to support the youngster so everyone could participate. Without this support our children’s program would not be able to provide experiences like this and many more throughout the year.”

The CWSS has been providing emergency shelter and services to women and children fleeing domestic violence, experiencing a crisis, or dealing with homelessness, since 1985. The shelter is open 24/7 and serves Camrose and the surrounding area, a total population of 127,000, with an average of 400 women and children accessing the shelter each year. The CWSS has also recently set up a Social Enterprise in the form of Bloom’n Deals, a thrift store. The profits from the store, which utilizes donations and is staffed by volunteers, are used to fund shelter priorities.

The grant for the CWSS is funded from income earned from the Janis Jesswein Legacy Fund, the Jack and Lily Kirschman Fund, the Vivianne Tremblay Grue Fund, the Darryl and Dyann Schultz Family Fund, the K.D. Wood Fund, and the Battle River Community Foundation’s Community Fund.

The Battle River Community Foundation exists to support organizations in east central Alberta that benefit the local communities and positively impact the future.

Grants from the Battle River Community Foundation are primarily made possible through the generosity of individual donors and organizations that have created endowment funds.  The principal of these endowment funds is kept intact, and the income is made available annually to support local projects and organizations.

Since it was founded in 1995, the Battle River Community Foundation has granted over $10,469,392 to support charitable activities in the Battle River Region.

Steam boats, railways and barroom brawls


By Nadine Leming

Tim Isberg is an Alberta-born singer-songwriter with a unique perspective. He can grasp a scene or mood through song poignantly. He will be bringing his show, Prairie Fire to the Bailey Theatre on February 7 at 8 p.m. Tim released the album in 2024 and has been touring the show since then.
This history based album focuses on the Canadian prairies during the late 19th century and will take the audience on an emotional journey, one meant to entertain and educate.

A self-proclaimed history buff, Tim spent most of his life in the military and dug deep into history to artfully pen the 12 songs that make up the album. He touches on events such as the Cypress Hills massacre, the formation of Fort Macleod by the North-West Mounted Police and Manitoba’s first outlaw, Gilbert Gordon.

One of his inspirations is Jerry Potts, also known as Bear Child, was born from a Scottish father and Blackfoot mother. He was able to influence relationships between the Europeans and Blackfoot. Tim actually has a personal connection to him, having gone to school with some of Jerry’s ancestors.

Tim said, “It’s fascinating to realize how much history that happened across a land that didn’t have much population yet, over a short amount of time in the late 1800s. It will take you on an educational journey, but also a look through the window of the past that includes a bit of an emotional up and down.”

Each song tells a true story of moments in history that are told by Tim who has an academic background in Western Canadian history and Indigenous studies. His own ancestral background has five generations worth of people that came out west in the 1870s.

Tim commented, “I’m really pleased with the results of writing the 12 songs that zero in on this 30-40 years in time.” Tim has hopes that one day it can be turned into a musical. He continued, “The show itself is very entertaining. I like to say it’s an educational opportunity as much as it is an evening of superb entertainment.”

After many shows, Tim has audience members that tell him about their stories relating to the show, with many seniors understanding the hardship of breaking land, or not having much. They understand the pioneer spirit that built our country and the impacts to Indigenous peoples.

For him, it’s wonderful to share his songs, music and stories in a way that touches people.
Prairie Fire spent several weeks on CKUA’s top ten list and charted on Roots Music for months in the U.S. and Canada. Tim also has two other albums, Running on the Edge that was released in 2019 and Tears Along the Road, released in 2015. He’s also a published author with his book Everyday Heroes that includes a chapter about his time in Rwanda in the line of duty, which made the national best seller’s list.

To purchase tickets to this show, go to www.baileytheatre.com
Supporting those with dementia

By Nadine Leming

Connie Snider is a mobile rural navigator for the Alzheimer’s Society of Alberta and Northwest Territories.

She serves the Camrose area by offering support, education and programs for people living with dementia and their caregivers. She recently gave a presentation at the Camrose Seniors Centre to share information about dementia and Alzheimer’s.

Mobile rural navigators provide crucial personalized support, education and help connect people with dementia and their caregivers in rural communities. They make accessing services easier by bringing them directly to communities helping people maneuver the diagnosis and progression of the disease, which can help combat isolation.

They also connect people with the First Link program. This is an early intervention service that helps people with dementia and caregivers with information, support and resources from diagnosis forward. They help them live well with the disease with referrals coming from healthcare providers.

Connie said, “If you’ve met one person with dementia, you’ve met one person with dementia.”

There are over 100 different types of dementia and it affects each person differently. Currently, there is no cure for the neurological disease.

The most common forms of dementia are Alzheimer’s disease, vascular dementia, dementia with Lewy bodies and frontotemporal dementia.
It’s also common to have a variety of mixed dementia symptoms. By 2050, it is estimated that more than 1.7 million Canadians can be expected to be living with dementia, which works out to 685 diagnoses everyday.

The statistics that Connie shared were staggering regarding the disease. She commented, “One in three individuals are impacted directly or indirectly by dementia.”

Connie added, “Caregivers are spending more than 40 million unpaid hours caring for individuals with dementia. That would require 23,000 paid caregiver jobs to cover these jobs.”

She continued, “These statistics are important if you’re talking to government officials or talking about the impact of dementia in our communities because the cost of caring for these people is being covered by unpaid caregivers.”

January is Alzheimer’s Awareness month, led by the Alzheimer’s Society is an opportunity for them to encourage people across the country to learn more about dementia and the impact on the lives it affects.

This year across Canada, Alzheimer Societies are showing up with forget-me- not pins as a reminder that no one should face dementia alone.

January 28 is the Alzheimer Society of Canada’s National Day of Action. Canadians are encouraged to wear forget-me-not pins and use the hashtag #ForgetNoOne, and share stories that end the stigma around dementia, ensuring no one faces it alone.

For more information on dementia, go to www.alzheimer.ca/ab

Co-op Good Buy Hunger Program

17 good buy to hunger camrose copy
Camrose Neighbor Aid Food Bank received $18,253.68 from the Wild Rose Co-op. From left, Sarah Tothe, Camrose Co-op team member; Jaime Ocampos, director of Camrose Neighbor Aid; Glen Levy, Co-op member; Angele Buteau and Robert Bernard from Camrose Neighbor Aid.

By Adan Shaikh


Wild Rose Co-op’s Good Buy Hunger program raised a total of $41,290.23 for their 2025 campaign. The funds and food bags are raised through the generosity of the Co-op members and the cooperation itself matches $15,000.

Members in Camrose contributed $10,753.68 to go towards feeding families and community. Killam members contributed $14,195.84 and Sedgewick Co-op members raised $1,340.71.

The funds have been donated to Flagstaff Food Bank and Camrose Neighbor Aid Food Bank. Flagstaff received $23,036.55 and $18,253.68 went to the Camrose Neighbor Aid Food Bank.

The annual program ran from December 1 to 24 at all three Co-op food stores. The generosity of the community and the members aims to make the holidays cheerful for all families by providing food security. In 2025, food banks in the area noticed a sharp increase in the amount of families and individuals needing food supports.

Currently the Camrose Neighbor Aid Food Bank is providing food for 400 families a month, one of the highest number they have ever witnessed. Through the Good Buy Hunger campaign, they are able to meet the needs of their communities with confidence.

Aisha’s Story


By Nadine Leming

Aisha Azzam, a powerful, resilient woman coming soon to the big screen at Nordlys Film and Arts Festival, has spent her life keeping Palestinian culture alive through food.

As a child, Aisha Azzam lived with her family at Baqa’a refugee camp, Jordan, in the wake of the 1967 war. It is there that she and her late husband started their family grain mill.

Aisha values her role in protecting her culture by milling the grains and herbs that make up the Palestinian cuisine she loves so much. Aisha traces the story of Palestinian displacement and rebuilding family and community in a refugee camp using her family’s grain mill to preserve culinary traditions and cultural identity, passing down traditions to her daughters.

The documentary Aisha’s Story will be screened during the Nordlys Film and Arts Festival on Family Day weekend in February. Her story captures the loss, beauty and resistance in a tender way that defines Palestinian lives.

Aisha said, “Food is what keeps us together as Palestinians.”

Elizabeth Vibert is the writer, director and producer of this film. She has been working on this project with Aisha Azzam and other Baqa’a community members since 2018.

Co-producer Salam Barakat Guenette grew up in a Palestinian family, expelled from Amman. She completed a Master’s degree in history in Canada and now works for the British Columbia government. Her mother taught in the camp when homes and classrooms were tents.

“Food is such a visceral part of our memories” said Salam, “It connects us no matter where we live and for many people, the guarding of that part of their history is centred on the matriarch.”

Palestinian women work hard to protect this part of their history when most cannot access the land of their ancestors. Food keeps Palestine alive inside of them.

“The film focuses on how Aisha built family and community in exile, and joyfully, lovingly and often humourously she shares the importance of her culture with the next generations,” said Elizabeth.
In a lamentable time in the history of the region and its people, this documentary will have the audience cheering again.

It’s a story that regardless of culture or class speaks to hope, resilience, humanity and how food connects Palestinians to their history and land. It’s about family and tradition, something to which everyone can relate.

For tickets to the Nordlys Arts and Film Festival, go to www.baileytheatre.com
Bonnie

Reflections

By Bonnie Hutchinson
 
Over the hump
 
Well, we made it. We’re over the hump.

I first began to realize we’re over the hump when I looked out the window at 5:15 p.m. and realized, “Hey, it’s still light. Well, fairly light. At least it’s not pitch dark.”

The days are getting longer. We will no doubt have more cold days, but not too many; more snow, but maybe not much more.

It’s the end of January. We’re over the hump, more than halfway through winter.
 
***
 
We’re also over the hump of Blue Monday.

Some researchers have identified late January as the most depressing time of the year, at least in the northern hemisphere. Dr. Cliff Arnall was the psychologist who identified Blue Monday. He worked out a formula to identify the most depressing day of the year. He concluded that it was the third Monday in January.

Hah! We’re already a week past it.

In mid to late January, we’re back to being immersed in work or whatever is our day-to-day rock pile. Last year’s challenges did not magically disappear over the holiday season. We’re far enough into the new year to realize we’re actually not going to keep those New Year’s resolutions. Post-holiday bills may still be arriving. And of course, it’s still winter. Not counting Family Day weekend in February (which doesn’t really feel like a “holiday,”) we have a few more months without a holiday to celebrate. Slog, slog, slog.

Over the years since he published his findings, Dr. Arnall has been accused of being negative. I think he’s just putting a name on what many of us are feeling. Other researchers also have hard data to say that a greater than average percentage of people experience anxiety and depression at this time of year.

If you’re feeling a bit down, a bit more anxious or overwhelmed than usual, you can at least have the cold comfort (and I do mean cold) of knowing you’re not alone.

But – we’re over the hump. Blue Monday is behind us.
 
***

If you’re in a bit of a blue funk, what can you do?
You can cuddle up with quilts and hot chocolate, turn on music you love, and savour the comfort. You can do something fun. You can seek out people who make you feel good. You can do something useful that gives you a sense of completion.

We also know that any kind of movement helps to lift your spirits. Even a non-exercise person can stretch, shake arms and legs, roll shoulders. Any kind of movement releases feel-good hormones from your brain, and that lifts your mood. Might be a temporary fix, but temporary is better than not at all.

In the past few years, I’ve also found it’s useful simply to acknowledge when you feel some kind of yucky emotion and sit with it. Wallow, even. Instead of trying to fend it off, dive into it more deeply. It’s counter-intuitive, but somehow when the resistance to a feeling disappears, sometimes the feeling does too.

I also find it comforting to remember that we’re over the hump.
 
***

As I was pondering options for handling blue funkedness, something occurred to me. If this is the worst time of the year, that also makes it the best time of the year. It’s only January and the worst is behind us. We’re over the hump. We have eleven better months ahead!

In the meantime, for the gazillionth time, I listened to Bette Midler’s “The Rose” and, as always, it gave me goose bumps. The last four lines are…
 
Just remember in the winter
Far beneath the bitter snows
Lies the seed that with the sun’s love
In the spring becomes the rose.
 
***

I’d love to hear from you. If you have comments about this column or suggestions for future topics, e-mail Bonnie@BonnieHutchinson.com. I’ll happily reply within one business day.
Laurel nadon 2019
Homespun By Laurel Nadon

Homespun

By Laurel Nadon

Beauty in the quiet
 
January has a bit of a bad rap. For many people, this month is an unpleasant reminder that the holiday season is over; the credit card bills are rolling in, and spring can seem distant. Many people are still going to work in the dark and coming home in the dark. It’s icy, windy, with constantly changing temperatures.

But if we can put that aside for a minute, January is also the start of a whole new year, which means new possibilities. Getting healthy is a great goal, but it can be a lot of pressure if you’re not feeling motivated to start a new fitness program at this particular time. If we feel passionately about a project, it is much more likely to be completed.

Winter is also a season of indoor time, which means it can be a great space for getting caught up on photo books, scrapbooking, or any other fidgety project that doesn’t seem appropriate when it’s balmy outside. It seems like January expects less of us than other months; this month seems to say that it’s okay to cozy up in a sweater and spend a weekend playing board games with family.

January doesn’t expect us to fill our calendars with social engagements like December does; it can be a peaceful time when we can make conscious decisions about how we want to spend our precious hours. Maybe it’s also a time to step back and really accept ourselves – as though to say, after this many years of resolutions and New Year goal setting, this is where I’ve gotten. This is me.

We can embrace January because it’s a great time to look ahead to the warm summer months, putting in requests for holiday time, and researching the best spots to spend a memorable vacation. We can spend our days looking forward to the adventures that lie ahead.

The third Monday in January has a particularly bad rap, known as “Blue Monday” and the most depressing day of the year – the day that the last credit card bills arrive with spending from Christmas. If you have carefully set a budget and stuck to it for shopping, then instead the day can be “Hallelujah Monday.” This is also the time in this first month that we may realize that (ack!) we have already failed at any resolutions or goal setting that we made in the first days of the year.

The lack of daylight may contribute to January blues, but truthfully, we are past the shortest day of the year, and it feels hopeful to me that there is noticeably more sunlight with each passing day. Why succumb to the pressure that this has to be the time of year to make big changes and start important projects? A random Wednesday in March might be an even better time.

After a sometimes dizzying array of holiday concerts and parties, it’s suddenly acceptable to be less busy. There’s unexpectedly a yawning expanse of time, and the beautiful part is that it’s up to us how to fill the time. We can embrace the quiet. This time of year is perfect to reflect, plan, and hibernate. The whole point of hibernating is to conserve energy during harsh conditions for what’s to come – it’s a way to pause life.

After a Christmas holiday spent playing the fun game of “Who is Going to Get Sick Next?”, I am quite thrilled to take joy in simple, little things. A slick and fast ski trail; a steaming tea while writing; a night where coughing hasn’t interrupted sleep; or a shared laugh with one of my kids. I happily took down the tree and moved my living room furniture back to its rightful places.

January doesn’t have the vibrant colours of October; there’s no crunchy ice, flowing waters and fresh planting soil like May; no soft sand or cool swimming waters like July; yet this month has beauty in its quiet. We can prioritize self-care. Our main jobs are to stay positive, find activities we enjoy doing or haven’t had time for, and conserve our energy for the spring. Happy hibernating.